The Autism Helpline often receives calls from parents where the root of the call can be directly related to the sensory difficulties the person on the autism spectrum is experiencing or being exposed to. Although universally acknowledged as being a characteristic of the autism spectrum, the sensory problems of individuals are often overlooked.
This information sheet aims to give you a basic understanding of sensory integration, providing examples of possible difficulties individuals on the spectrum may have and strategies to help. Overall it aims to provide people with an awareness of the sensory world of people with autism.
To function and participate in the world that surrounds us, we need to use our senses. Senses provide individuals with unique experiences and allow us to interact and be involved with the rest of society. They help us to understand the environment around us and respond within it. They play a significant role in determining what actions we take in a particular situation. Imagine what happens when one, or all, of your senses are intensified or are not present at all, often referred to as sensory integration dysfunction. This is the case for many individuals on the autism spectrum.
There are several definitions of autism but they rarely state what a person with autism feels. It is only through personal accounts from individuals themselves who can express and describe their unique and often painful sensory world that we find out more. Everyday functions, which the majority of individuals take for granted, can for people with autism be negative and upsetting experiences. Behaviours presented by someone with autism will often be a direct reaction to their sensory experience. It is therefore understandable why they create rituals, or have self-stimulatory behaviours such as spinning, flapping and tapping, because this makes them feel they are in control and feel safe in their unique world.
"If I get sensory overload then I just shut down; you get what's known as fragmentation... it's weird, like being tuned into 40 TV channels."
Ayres (1979, in Smith Myles et al, 2000) defined sensory integration as 'the organisation of sensation for use'. It involves turning sensation into perception.
The central nervous system (brain) processes all the sensory information sent from various sensory systems in the body and helps to organise, prioritise and understand the information. From this it is able to action a response: these may be thoughts, feelings, motor responses (behaviour) or a combination of these. Throughout our bodies we have receptors, which pick up on sensory stimuli. Our hands and feet contain the most receptors. Most of the time the processing of sensory information is automatic
The sensory systems can be broken down into six areas. These can be divided into two main areas: hyper (high) and hypo (low) sensitivity. However, it is important to remember that the difficulties/differences may for some individuals fall into both areas.
Situated in the inner ear, this provides information on where our body is in space and its speed, direction and movement, all in relation to the pull of gravity. It is fundamental in helping us to keep our balance and posture. For an individual on the spectrum, difficulties/differences may be:
Hypo
Hyper
Situated in the muscles and joints, our body awareness system tells us where our bodies are. It also informs us where our body parts are and how they are moving. For an individual on the spectrum difficulties/differences may be:
Hypo
Hyper
Processed through chemical receptors in the nose, this tells us about smells in our immediate environment. Smell is a sense that is often neglected and forgotten about. It is, however, the first sense we rely upon. For an individual on the spectrum difficulties/differences may be:
Hypo
Hyper
"Smells like dogs, cats, deodorant and aftershave lotion are so strong to me I can't stand it, and perfume drives me nuts." Gillingham, G. (1995). page 60
Situated in the retina of the eye and activated by light, our sight helps us to define objects, people, colours, contrast and spatial boundaries. For an individual on the spectrum difficulties/differences may be:
Hypo
Hyper
"... she was Mrs Marek, a face upon which light danced maniacally, turning her into more of a cartoon than a human being. Welcome to Toon town... I'd like you to enter this torture chamber I call my kitchen and meet my wife who is a 3D cartoon." Gillingham, G. (1995). page 51
Situated in the inner ear, this informs us about sounds in the environment. It is the most commonly recognised aspect of sensory impairment. For an individual on the spectrum, difficulties/differences may be:
Hypo
Hyper
Their hearing impairment can have a direct effect on their ability to communicate and may also affect their balance.
"Do you hear noise in your head? It pounds and screeches. Like a train rumbling through your ears." Powell, J. (1995, in Gillingham, G. 1995) page 41
Situated on the skin, the largest organ of the body, it relates to touch, type of pressure, level of pain and helps us distinguish temperature (hot and cold).
Touch is a significant component in social development. It helps us to assess the environment we are in and enables us to react accordingly. For an individual on the spectrum difficulties/differences may be:
Hypo
Hyper
"Every time I am touched it hurts; it feels like fire running through my body." - Gillingham, G. (1995). page 3
Processed through chemical receptors in the tongue it tells us about different tastes - sweet, sour, bitter, salty and spicy. Individuals will often have restricted diets as a result of their taste buds being extra sensitive. For an individual on the spectrum difficulties/differences may be:
Hypo
Hyper
Synaesthesia
This is a rare condition, separate from autism, which some individuals on the spectrum say they experience. This is when confusion in the sensory channels occurs. A sensory experience goes in through one system and out through a different system. For example an individual hears a sound (auditory system) but sees colours (visual system).
A greater understanding of the sensory world of individuals on the spectrum allows you to help them develop in a more comfortable environment.
The following ideas and strategies will hopefully help when trying to create a comfortable environment for an individual on the spectrum to avoid their senses being overloaded.
General points to remember:
Awareness
Knowing that sensory dysfunction may be the reason for the problem, always examine the environment.
Be creative
Use your imagination to come up with positive sensory experiences and/or strategies.
Prepare
Always warn the individual of possible sensory stimuli they may experience, eg loud crowded places.
Sensory integration therapy
Sensory integration therapy involves the gentle exposure to various sensory stimuli. The aim of this therapy is to strengthen, balance and develop the central nervous systems processing of sensory stimuli. Delacato (1974), who introduced the concept of Sensory Integration Therapy, focused the therapy on the five core sensory systems - vision, taste, smell, auditory and tactility. Today, occupational therapists continue to focus on these areas, as well as incorporating the vestibular and proprioception systems, when creating and planning a schedule of activities for an individual.
Hypo
Hyper
Hypo
Hyper
Hypo
Hyper
Hyper
Hypo
Auditory Integration Training (AIT)
In the early 1980s Dr Guy Berard created a machine that tests and exercises individuals auditory system. This approach believes that behaviours are a consequence of difficulties in the auditory system. By producing and altering various sounds the machine is able to use its auditory filters to maximize the volume without causing discomfort. The aim is to train the auditory system and balance its input. Research into this approach is very limited. For further information see contacts/recommended reading.
Music therapy
The benefits of music therapy have been recognised, and it is often used with individuals on the spectrum. Music therapy provides individuals with a unique opportunity to communicate, interact and express. For further information see contacts/recommended reading.
Hyper
Hypo
Hypo
Hyper
Sensory environments are aimed at providing individuals with the opportunity to stimulate, develop or balance their sensory systems.
They are located mainly in specialist schools or hospitals so access is quite limited. However, many families have chosen to adapt a room in their home to create a space for sensory stimulation or reload.
Hulsegge and Verheul (1986, in Pagliano, 2000) developed the concept of the sensory room in the Netherlands. Drawing from the work of Clark (1966, in Pagliano, 2000) who established the idea of 'SNOEZLEN' rooms, this is a combination of two words, to 'smell' and to 'doze'. The terms more commonly used in the UK are sensory rooms or multisensory environments.
Rooms or sensory spaces can take various forms, for example white, dark, sound, interactive, water, softplay or garden. Their main functions tend to be therapeutic, educational and relaxation, all in relation to development.
Equipment used in the rooms varies depending on the type, function and needs of the individual using it. The following list gives examples of equipment to provide stimulation for all sensory systems. Stimuli can include soothing music, vibrating cushions, fibre optics, mirror balls, bubble tubes, waterbeds, tactile walls, disco lights and projectors to name just a few. Equipment can be set up using switches, pressure, sound and movement which then activate a piece of equipment in the room. The child comes to recognise cause and effect.
The reported benefits of sensory rooms at present come mainly from personal experiences and observations, as there is only a limited amount of research.
Occupational therapist - they play a fundamental role in sensory difficulties by designing programmes and often making adaptations to environments to ensure individuals are able to live as independently as possible.
Sensory impairment team - accessed through local social and health services, these teams specialise in sensory difficulties. Although they are not autism-specific some local authorities do cover individuals on the spectrum.
Speech and language therapist - often use sensory stimuli to encourage and support the development of language and interaction.
Music therapist - use instruments and sounds (auditory stimuli) to encourage and develop the sensory systems, predominantly the auditory system.
Problem - possible sensory reasons - ideas
Equipment suppliers
Nottingham Rehab Suppliers
Findel House
Excelsior Road
Ashby Park
Leicestershire
LE65 1NG
Telephone order/enquiry line: 0845 120 4522
Occupational therapy product advisory helpline: 01530 418 222
Website: www.nrs-uk.co.uk
The Sensory Company International Ltd
Broad Lane Business Centre
Westfield Lane
South Elmsall
WF9 2JX
Tel: 01977 646414
Website: www.thesensorycompany.co.uk
ROMPA®
Goyt Side Road
Chesterfield
Derbyshire
S40 2PH
Tel: 01246 211777
Website: www.rompa.com/cgi-bin/Rompa.storefront
Winslow
Goyt Side Road
Chesterfield
Derbyshire
S40 2PH
Tel: 0845 921 1777
Website: www.winslow-cat.com/cgi-bin/winslow.storefront
National College of Occupational Therapists
Tel: 020 7357 6480
Website: www.cot.co.uk
Private Occupational Therapist
Tel: 0800 389 4873
Website: www.otip.co.uk
The database does not specify autism spectrum disorders, autism or Asperger syndrome in the search fields for client group.
Association of Professional Music Therapists (UK)
61 Church Hill Road
East Barnet
Hertfordshire EN4 8UP
Tel: 020 8440 4153
Website: www.apmt.org
The professional body for qualified music therapists in the UK. Can advise on music therapy courses, and put clients in touch with therapists.
There is a wide range of views on the best way to treat people with autism. Some approaches are based on very specific theories about the possible cause of the condition.
The National Autistic Society (NAS) cannot make recommendations as to the effectiveness of individual therapeutic approaches. While we appreciate the eagerness of parents to try out new treatments, we feel that any new approach must be fully scientifically validated to ensure that there are no undesirable side-effects. The policy of the NAS Autism Helpline is to provide an impartial service. Therefore, we aim to provide people with as much information as possible about any particular therapy to enable them to form their own opinion. The Autism Helpline also has a therapy checklist which can be useful to refer to before embarking on a particular theory.
Sensory Integration Network
26 Leopardstown Grove
Blackrock
Dublin
Ireland
Email: info@sensoryintegration.org.uk
Website: www.sensoryintegration.org.uk
British Society for Music Therapy
61 Church Hill Road
East Barnet
Hertfordshire EN4 8DH
Tel: 020 8441 6226
Website: www.bsmt.org
Promotes the use and development of music therapy. Publishes journals, monographs and videos, organises conferences and meetings.
The National Light & Sound Therapy Centre (AIT)
80 Queen Elizabeth's Walk
London
N16 5UQ
Tel: 020 8880 1269
Website: www.light-and-sound.co.uk/
The Delacato Centre
Website: www.delacato.co.uk
Irlen Institute
4 Park Farm Business Centre
Fornham
Bury St Edmunds
Suffolk
IP28 6TL
Tel: 01284 724 301
Website: www.irlen.com
Orthoscopics Ltd
Mr Ian Jordan
Compass House
Vision Park
Chivers Way
Histon
Cambridge
CB4 9AD
Tel: 01223 843 200
Email: info@orthoscopics.com
Websites: www.orthoscopics.com
Jordans
Ian Jordan
5 New Market Street
Ayr
KA7 1LL
Tel: 01292 284 555
Email: www.jordanseyes.com
*Attwood, T. (1998). Asperger's syndrome - a guide for parents and professionals. London: Jessica Kingsley Publishers
Delacato. C. H. (1974). The ultimate stranger - the autistic child. USA: Arena Press
Gerland, G. (1997). A real person - life on the outside. London: Souvenir Press
Gillingham, G. (1995). Autism: handle with care!: understanding and managing behavior of children and adults with autism. Arlington, Texas: Future Education Inc.
Godwin Emmons, P. and McKendry Anderson, L. (2005). Understanding sensory dysfunction. London: Jessica Kingsley Publishers
*Grandin, T. and Scariano, M. (1986). Emergence: labelled autistic. New York: Warner
*Grandin, T. (1995). Thinking in pictures and other reports from my life with autism, New York: Vintage
*Jackson, L. (2002). Freaks, geeks and Asperger syndrome. London: Jessica Kingsley Publishers
The National Autistic Society. Auditory integration training factsheet (available to download from www.autism.org.uk/a-z).
The National Autistic Society. Music therapy factsheet (available to download from www.autism.org.uk/a-z).
The National Autistic Society. Speech and language therapy factsheet (available from the Autism Helpline; tel 0845 070 4004).
Pagliano, P. (2000) Multisensory environments. London: David Fulton Ltd.
Smith Myles, B. et al (2000). Asperger syndrome and sensory issues - practical solutions for making sense of the world. Kansas: Autism Asperger Publishing Company
Williams, D. (1994). Somebody somewhere. Toronto: Double Day
Williams, D. (2000). An inside out approach. London: Jessica Kingsley Publishers
*These books are available from NAS Publications.
This information sheet, The sensory world of the autism spectrum, is also available as a booklet priced £1.50 through NAS Publications.
If an item is marked as available from NAS Publications, please contact our distributors to place an order:
Central Books Ltd
99 Wallis Road
London E9 5LN
Tel: 0845 458 9911
Fax: 0845 458 9912
Email: nas@centralbooks.com
Or order online: www.autism.org.uk/pubs
If you require further information about autism and related issues, please contact the NAS Autism Helpline, open from Monday-Friday, 10am-4pm
(tel: 0845 070 4004; email: autismhelpline@nas.org.uk)
Last updated: June 2007
© The National Autistic Society 2004